Saturday Links

Now that my computer seems to be back up to speed, I’m hoping to blog on a regular basis again.  I’ve got a couple of posts brewing including a discussion of a graduate seminar I’ve been asked to teach, a version of my Using Technology in the Language Arts Classroom course I’ve done twice before.  I was unhappy with how the previous version turned out, so as usual I’ll be soliciting advice, crowdsourcing, and trying to rethink how the course might work best.  I’m also still thinking about a “decadism” post as I contemplate all of the decade-in-film posts that are circulating in film blogs these days.  I think they’re a fascinating form of popular (film) history, but I still need to process those thoughts for a while.  For now, here is a list of some of the things I’ve been reading and watching this weekend:

  • The Film Doctor pointed out a couple of must-watch videos the other day: Matt Zoller Seitz’s insightful documentary short about Bill Melendez, the director of dozens of Charlie Brown specials.  As Seitz observes, Melendez’s eye for visual storytelling is often underestimated, and his influence on contemporary filmmakers, including Wes Anderson, is well worth noting.  Also of interest, Mario Balducci’s “The Knife,” a completely surreal reimagination of Hitchcock’s North by Northwest.
  • Via The House Next Door, a sharp video essay on “Video Games & The Tentpole Film.”  One of my biggest regrets with my book is that I spent little time thinking about video games (other than as part of a larger marketing chain within a larger entertainment franchise), but this essay makes a compelling case for the ways that video games are fining new and innovative ways of proucing suspense and horror that are more compelling than their cinematic counterparts.
  • Via Tama Leaver, what appears to be an incredibly useful research report on contemporary practices of movie engagement, Moviegoers 2010, a report that starts with the observation that studios and other entertainment professionals know little about current audience behaviors.  One quick factoid from their blog: most “moviegoers” now spend slightly more time online than watching TV.  Such categories are, of course, rather blurry given that many people now watch TV via Hulu and other online portals.
  • Bad Lit has a pointer to the Sundance NEXT lineup, a connection of ostensibly “low- and no-budget” films that will play at this year’s festival. On a quick skim, I recognize one name, Linas Phillips who made the quirky autobiographical documentary, Walking to Werner, which I saw at Silverocs a few years ago and quite liked.  But, as usual, the list provokes big questions about what counts as “independent” and what role Sundnace seems to be playing in fostering the work of aspiring filmmakers.  On a relate note, AJ Schnack compiles a list of this year’s Sundance documentary competition films.
  • Bad Lit also points to a new documentary that I’m curious to see: Guest of Cindy Sherman, a documentary by Paul H-O, a New York public access TV host who was briefly romantically involved with visual artist Cindy Sherman, famous for her Untitled Film Stills, in which Sherman photographed herself in a variety of poses of different female characters.  The trailer suggests that the film will meditate on what counts as art, how art mediates and engages with identy and celebrity, all things I find fascinating.

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