Wednesday Links: Criticism is Dead, OK Go, and Film Festivals

As I glance across my snow-covered lawn, only one thought crosses my mind: Spring break! But to keep myself warm until Friday, when the weather should magically change, here are some of the things I’ve been reading (in between grading papers and midterms, of course):

  • My critique of Thomas Doherty’s lament about the state of film criticism seemed to generate quite a response.  The Columbia University Press blog offered a relatively straightforward citation, while Keith Uhlich of The House Next Door caught my Kenneth Branagh reference.  Meanwhile Jim Emerson, citing a 1990 article by Richard Corliss, emphasizes a point I wish I’d given more attention: the long history of social critics decrying a new technology’s effect on film criticism.  Dozens of people, including some of my commenters, pointed out the absurdity of characterizing David Bordwell as a “postmodern” Harry Knowles.
  • In other news, I participated in a roundtable on religion in the blogosphere at the Social Science Research Council’s Immanent Frame blog.
  • Friend of the blog, and the filmmaker behind Clean Freak and The Proper Care and Feeding of an American Messiah, Chris Hansen has a trailer for his latest movie, Endings.
  • Matt Dentler points to the new OK Go video for their song, “This Too Shall Pass,” which features one of the most impressive Rube Goldberg machines I’ve ever seen.
  • Ted Hope has a discussion of the Tribeca Film Festival’s decision to make some of their films available through video on demand (VOD).  Hope points out that the failure of the Sundance-YouTube model was avoidable and offers some suggestions for making the festival-VOD model work better for festivals and filmmakers.

1 Comment

  1. redbox codes Said,

    March 4, 2010 @ 11:35 am

    This is a good topic you have chosen. I don’t think many people realize that fruitful criticism is fading with time. Nice update.

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