Saturday Links: Marker, Pop-Up Cinemas, Digital Delivery

We’re starting slowly this morning as we wait for the edges of Hurricane Irene to pass through North Carolina. For those who have asked, we’re experiencing some moderately strong winds and light rains, but we’re keeping our fingers crossed for those of you living further up the coast. I’ve been pretty distracted this week with early semester business, but here are a few of the things I’ve been reading and watching over the last few days:

Representing Rebellion: Like many people, I’ve been paying attention to the discussions of the recent protests in London and watching as pundits seek to make sense of the underlying causes that have led to looting and other forms of destruction. Now, Chris Marker (a director I admire quite a bit) has made a short film, Overnight, and posted it to YouTube. It’s a powerful little film that shows several businesses before and after they were damaged during the protests. This before-and-after approach leaves us to imagine ourselves the riots and protests, which are rendered invisible, in much the same way that the protests themselves (and the anger they expressed) continue to be largely ignored by the larger political culture. Thanks to the cinetrix for the link.

Media Mobility: The cinetrix also led me to this very cool article on “Pop-Up Cinemas,” improvised theaters built in pubs, disused gas stations, with impromptu screens sometimes assembled from discarded refrigerators. These improvised screenings aren’t an entirely new concept, of course, but the Guardian article offers a nice overview of how they are becoming a more visible part of an informal movie culture.

Digital Delivery: As usual, media industry journalists have quite a bit to say about the ongoing shift toward digital delivery. Will Richmond makes the point that revenues from digital downloads and purchases remain “anemic.” Others continue to argue that we are migrating away from cable in favor of streaming. Meanwhile, New Tee Vee points out that Netflix’s growth in the United States is likely to slow down soon and that they will have to come up with new services (including their long-planned family accounts) to sustain their momentum. Finally, Focus Features, part of Comcast/NBC/Universal, ┬áhas joined a number of other independent companies in creating a video-on-demand distribution platform, Focus World.

On-Time Piracy: As many readers may know, Fox has altered the release window for TV shows on Hulu. Instead of posting TV episodes on the website immediately after they air, Fox now is requiring that Hulu wait eight days before posting an episode. As a result, fans who want to remain caught up with their favorite shows are now increasingly turning to pirate sources to watch those shows. Torrent Freak has some interesting statistics on this shift. Via Tama Leaver.

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